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Wyclef Jean: The Carnival Tour

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Other Upcoming Shows

Jackson Galaxy: Total Cat Mojo Live

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Thu Jan 23rd - 08:00 PM
SEAT TYPE: Fully seated
PRICE:
$35 - $55

Nikki Glaser: Bang It Out

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Jan 24th - 7:00PM
The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Jan 24th - 09:45 PM
SEAT TYPE: Fully seated
PRICE:
$35 - $135

Girls Gotta Eat

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Jan 25th - 7:00PM
The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sun Jan 26th - 7:00PM
SEAT TYPE: Fully seated
PRICE:
$32 - $72

Michael Carbonaro

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Feb 8th - 7:00PM
SEAT TYPE: Fully seated
PRICE:
$45 - $184

Every ticket comes with a copy of : Hold On, But Don

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Wed Feb 12th - 07:30 PM
SEAT TYPE: Fully seated
PRICE:
$42

Citizen Cope

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Feb 14th - 08:00 PM
SEAT TYPE: Fully seated
PRICE:
$28 - $76

CANCELLED – Julius Dein

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Thu Feb 20th - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$28 - $102

Yvonne Orji

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Feb 21st - 07:30 PM
SEAT TYPE: Fully seated
PRICE:
$37 - $87

Mo Amer

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Feb 22nd - 07:00 PM
SEAT TYPE: Fully seated
PRICE:
$28

Elvin Bishop & Charlie Musselwhite

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sun Feb 23rd - 7:00PM
SEAT TYPE: Fully seated
PRICE:
$38 - $63

Marcia Ball & Sonny Landreth

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Tue Feb 25th - 08:00 PM
SEAT TYPE: Fully seated
PRICE:
$35 - $65

The Greatest Love of All

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Thu Feb 27th - 08:00 PM
SEAT TYPE: Fully seated
PRICE:
$37 - $49

Misfits Podcast

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Feb 28th - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$35 - $102

An Evening with Stone Temple Pilots: The Perdida Tour

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sun Mar 1st - 08:00 PM
SEAT TYPE: Fully seated
PRICE:
$43.50 - $184.50

The Mindset Tour with Simon Sinek

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Wed Mar 4th - 07:30 PM
SEAT TYPE: Fully seated
PRICE:
$40 - $100

Doug Stanhope

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Mar 13th - 7:30PM
PRICE:
$50

Straight Up With Stassi Live

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Mar 14th - 7:00PM
SEAT TYPE: Fully seated
PRICE:
$41 - $249

The Musical Box : A Genesis Extravaganza Vol. II

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Wed Mar 18th - 08:00 PM
SEAT TYPE: Fully seated
PRICE:
$35 - $50

Fortune Feimster

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Mar 20th - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$32 - $37

Melvin Seals and JGB

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Mar 21st - 8:00PM
SEAT TYPE: Partly seated
PRICE:
$30 - $45

Tapestry : The Carole King Songbook

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sun Mar 22nd - 07:00 PM
SEAT TYPE: Fully seated
PRICE:
$27 - $45

Cameron Esposito: Save Yourself Tour

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Thu Mar 26th - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$39.50

And That’s Why We Drink: Here for the Boos Tour!

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Mar 28th - 7:00PM
SEAT TYPE: Fully seated
PRICE:
$30 - $65

Welcome To Night Vale

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Wed Apr 1st - 8:00PM
SEAT TYPE: Fully seated
PRICE:
$32

That Golden Girls Show! A Puppet Parody

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Thu Apr 2nd - 07:30 PM
SEAT TYPE: Fully seated
PRICE:
$37 - $50

Jim Norton

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Apr 4th - 07:00 PM
The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Apr 4th - 9:45PM
SEAT TYPE: Fully seated
PRICE:
$32 - $104

My Dad Wrote A Porno World Tour 2020

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Thu Apr 9th - 7:30PM
The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Apr 10th - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$47 - $102

Colin Hay

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Apr 11th - 8:00PM
SEAT TYPE: Fully seated
PRICE:
$45 - $59

Jim Ross: Under The Black Hat Book Tour

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Thu Apr 16th - 07:30 PM
SEAT TYPE: Fully seated
PRICE:
$48

Paula Poundstone

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Apr 17th - 07:30 PM
SEAT TYPE: Fully seated
PRICE:
$37

Tracy Morgan

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Apr 18th - 07:00 PM
SEAT TYPE: Fully seated
PRICE:
$65

Music of Cream – Disraeli Gears Tour

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sun Apr 19th - 08:00 PM
SEAT TYPE: Fully seated
PRICE:
$35 - $45

Kathleen Madigan: 8 O’Clock Happy Hour Tour

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Thu Apr 23rd - 7:30PM
The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Apr 24th - 07:30 PM
SEAT TYPE: Fully seated
PRICE:
$32 - $39

Colin Jost

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Apr 25th - 7:00PM
The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Apr 25th - 09:45 PM
SEAT TYPE: Fully seated
PRICE:
$42

An Evening with Matty in the Morning

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Thu Apr 30th - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$52 - $102

Countess & Friends: Marry, F**K, Kill

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat May 2nd - 7:00PM
SEAT TYPE: Fully seated
PRICE:
$39 - $135

Dark Star Orchestra

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Thu May 7th - 8:00PM
SEAT TYPE: Fully seated
PRICE:
$35 - $42.50

Part of the Women in Comedy Festival

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat May 9th - 07:00 PM
SEAT TYPE: Fully seated
PRICE:
$46 - $169

Sinbad

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri May 8th - 07:30 PM
SEAT TYPE: Fully seated
PRICE:
$39

MeatEater: Off the Air

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Wed May 13th - 07:30 PM
SEAT TYPE: Fully seated
PRICE:
$32 - $187

BETH HART – War In My Mind

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat May 16th - 08:00 PM
SEAT TYPE: Fully seated
PRICE:
$35 - $55

Tanya Tucker w/ Special Guest Walker Country

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sun May 17th - 7:30Pm
SEAT TYPE: Fully seated
PRICE:
$35 - $75

Small Town Murder

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri May 22nd - 08:00 PM
SEAT TYPE: Fully seated
PRICE:
$37 - $77

Nick Swardson

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat May 23rd - 07:00 PM
SEAT TYPE: Fully seated
PRICE:
$49

Watch What Crappens

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Jun 6th - 7:00PM
SEAT TYPE: Fully seated
PRICE:
$32 - $77

Whose Live Anyway?

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Thu Jun 11th - 07:30 PM
SEAT TYPE: Fully seated
PRICE:
$50

Brad Williams

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Jun 13th - 07:00 PM
SEAT TYPE: Fully seated
PRICE:
$27 - $35

Paul Virzi

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Jun 27th - 7:00PM
SEAT TYPE: Fully seated
PRICE:
$24

Hot Tuna: Acoustic & Electric

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Tue Jul 14th - 8:00PM
Openers: w/ Special Guest David Grisman Trio
PRICE:
$50 - $75

Drew Lynch

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Oct 23rd - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$30

Einstürzende Neubauten -The Year Of The Rat Tour

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Wed Oct 28th - 8:00PM
SEAT TYPE: Partly seated
PRICE:
$30 - $40

Bio

The music that Wyclef Jean has written, performed, and produced — both as a solo superstar and as founder and guiding member of the Fugees — has been a consistently pow

The music that Wyclef Jean has written, performed, and produced — both as a solo superstar and as founder and guiding member of the Fugees — has been a consistently powerful, pop cultural force for over two decades. In 1996, the Fugees released their monumental album The Score, which inspired notoriously prickly rock critic Robert Christgau to write: “so beautiful and funny, its courage could make you weep.” The album, created in Wyclef’s studio in his uncle’s basement in New Jersey, hit No. 1 on the Billboard chart, spawned a trio of smash singles (including their indelible reinvention of Roberta Flack’s 1973 ballad “Killing Me Softly”), and is now certified six times platinum. But Wyclef, a child prodigy with a wealth of musical influences from jazz to classic rock to reggae, resisted the pressure to duplicate the sound and style of that masterwork. Instead, he launched himself as a producer and solo artist whose work drew from an innovative and eclectic palette that included elements of pop, country, folk, disco, Latin, and electronic music.

“I just keep moving,” he says today. “If I didn’t keep moving after The Score, y’all wouldn’t have had the biggest pop song of all time.” Wyclef is referring to Shakira’s chart-topping single “Hips Don’t Lie,” which he co-wrote and is featured on. That 2006 blockbuster climbed to No. 1 in 20 countries including the U.S. — a crowning achievement atop a nearly unprecedented run of hits that include Wyclef’s own “Gone Till November,” “Ghetto Superstar” (Pras feat. Wyclef Jean), Carlos Santana’s No. 1 single “Maria, Maria” (featuring Jean and Product G&B) and the late Whitney Houston’s “My Love is Your Love.” “The only record that captures Whitney, her daughter [Bobbi Kristina], and Bobby Brown all on one song,” Wyclef says of it.

Wyclef has been rewarded for his creativity and adventurousness with three Grammy Awards, a spot on the cover of Rolling Stone’s special “Top 50 Hip Hop Players,” and the opportunity to make music with such legends as Michael Jackson, Queen, Mick Jagger, Paul Simon, Earth, Wind & Fire, Kenny Rogers, and Tom Jones. As a solo artist, he has released six albums that have sold nearly nine million copies worldwide, including his 1997 debut The Carnival and 2000’s aptly titled The Ecleftic: 2 Sides II a Book, which even turned wrestling superstar/action hero The Rock into a pop star with the international hit single “It Doesn’t Matter.” Through it all, Wyclef kept an ear cocked for new talent. He helped launch Beyoncé´s career with Destiny’s Child’s early hit “No, No, No.”

While it’s been six years since his last studio album, Wyclef has not abandoned his dedication to sonic excursions. His new album, the upcoming Carnival III: Road to Clefication, features contributions from Afrojack, Emeli Sandé, and multi-platinum DJ/recording artist Avicii. In fact Avicii is responsible for Wyclef’s new album’s title. “It’s a nickname he gave to me,” he explains. “We were in Stockholm recording and he said, ‘We need some ‘Clefication.’ Now when I’m in the studio with other producers from his generation, they’ll say, ‘Yo we need some ‘Clefication’ on the vocal before I swag it up.’ It’s the human application of music.”

The first product of Wyclef and Avicii’s dynamic chemistry, the reflective electro-acoustic ballad “Divine Sorrow,” instantly blew up on YouTube when the lyric video was posted last November, racking up four million views and reminding people that Wyclef Jean can still astound people with his music. When an era-defining superstar takes time between albums, people often wonder if the artist has perhaps retired, but Wyclef has never stopped making music. “Every day when I wake up, I go into the studio and record,” he says. “There’s always a guitar and a piano nearby. I’m always writing, that’s my survival. I don’t go to a therapist. My therapy is when I pick up my guitar and sing.”

One couldn’t blame Wyclef for wanting to take time away from the spotlight given the whirlwind of press, good and bad, he received after announcing that he was going to run for president of Haiti in 2010, the summer after a massive earthquake killed over 200,000 people. “It felt like something I needed to do at the time,” he says. Wyclef flew home to help and saw the devastation firsthand. “Haiti was in dire need and I wasn’t going to go down in history as just another musician who did nothing and just hid behind the songs,” he says. Born in Croix-des-Bouquets before moving to New Jersey at age nine, Wyclef has always kept very close ties to the Haitian people and continues to provide aid and consultation. His love for his native country was reciprocated by many and questioned by others. “I stepped into the fire,” he says. “People took shots at me, of course. But it’s better to be right than popular. And history will always reveal the truth. You can’t live for the fakeness or you will just be erased from time.” However, the fury and the frenzy of the election left him depleted. “When I got back to New York I was out of my mind,” he says. “I had just had a really tense experience. I thought I could change policy and legislation there, but coming back to America — yo, it hit me. I was like, ‘Man, what am I gonna do?’ I was at the height of my musical career. Nobody could stop me. I was moving like a bullet as a producer.”

“Divine Sorrow” addresses the experience, in part, in its lyrics: “Dearie blossom I’m going down to old rock bottom / I know the love in your heart was true / I thank you for the joy that follow.” “For me, ‘Divine Sorrow’ was like my returning hymn to the world,” Wyclef says. “We embarked on a small European tour when I got back and, based off that, I decided I was going to go in…. and just start cutting some music. I felt the bug. The album bug.” (He also got the acting bug, appearing in a story arc on the hit ABC series Nashville in 2014.)

As big a comeback as “Divine Sorrow” has proven to be, one should not count on Carnival III: Road to Clefication being an entire album full of ballads. “Do I have anything for the clubs?” he asks. You’re talking to The Carnival Man! I’ve done the biggest dance records of all time! We plan to put them on the dancefloor more so than ever. I’m also working with DJ Khaled. We go back 20 years. The chemistry is insane. We know people want that dancefloor bounce from us — that hip hop thing.”

Which leaves only one question. How long can Wyclef keep it up now that he’s back at his old velocity? “The forties are the new youth of hip hop,” he says with a laugh. And while he hints that the Fugees crew are all on good terms, and he doesn’t rule out a future reunion with Lauryn Hill and Pras, right now, Wyclef is trying to reckon with his past and write a new chapter. “The music I’m making, it’s sounding like the ‘90s meets 2017,” he says. “It’s very authentic and all about the vocality, making people feel and reminisce off of that sound they love but combining it with new sonics.” The release of his latest project, J'ouvert, is reinforcement of that sound aesthetic and builds excitement for the long-anticipated Carnival III, coming this summer.

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