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Big Head Todd and The Monsters

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Bruce Hornsby & The Noisemakers

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Thu Apr 25th - 8:00PM
SEAT TYPE: Fully seated
PRICE:
$45 - $70

Vir Das

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Apr 26th - 7:30PM
The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Apr 26th - 9:45PM
SEAT TYPE: Fully seated
PRICE:
$25 - $35

Tom Segura

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Apr 27th - 7:00PM
The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Apr 27th - 9:45PM
SEAT TYPE: Fully seated
PRICE:
$35 - $75

The Mountain Goats

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sun Apr 28th - 8:00PM
Openers: Shana Cleveland
SEAT TYPE: Partly seated
PRICE:
$28 - $35

EELS

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Tue Apr 30th - 7:30PM
Openers: Robert Ellis – Texas Piano Man
SEAT TYPE: Partly seated
PRICE:
$30 - $39

Kip Moore: Room to Spare Acoustic Tour

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Thu May 2nd - 8:00PM
SEAT TYPE: Fully seated
PRICE:
$39 - $161

Corinne Fisher & Krystyna Hutchinson from Guys We F**ked

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri May 3rd - 9:45PM
SEAT TYPE: Fully seated
PRICE:
$25 - $30

Phoebe Robinson: Part of Women in Comedy Festival

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri May 3rd - 7:00PM
SEAT TYPE: Fully seated
PRICE:
$25 - $45

Nikki Glaser: Part of Women in Comedy Festival

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat May 4th - 07:00 PM
SEAT TYPE: Fully seated
PRICE:
$35

Wild Horses w/ Lauren Lapkus, Stephanie Allynne, Mary Holland & Erin Whitehead: Part of Women in Comedy Festival

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat May 4th - 9:45PM
SEAT TYPE: Fully seated

Pete Davidson & John Mulaney: A Benefit for My Brother’s Table

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Mon May 6th - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$125-$200

Adam Savage: Every Tool’s A Hammer: Life is What You Make It Book Tour

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Tue May 7th - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$50

Dark Star Orchestra

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Thu May 9th - 8:00PM
SEAT TYPE: Partly seated
PRICE:
$35 - $42.50

Steven Curtis Chapman: Solo Greatest Hits

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri May 10th - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$38.25 - $87

Josh Ritter & The Royal City Band w/ special guest Penny & Sparrow

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat May 11th - 8:00PM
The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sun May 12th - 8:00PM
SEAT TYPE: Fully seated
PRICE:
$32 - $151

Bear Brook Podcast – Five City Live: East Coast Tour 2019

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Tue May 14th - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$29 - $39

The Tubes Featuring Fee Waybill

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Wed May 15th - 8:00PM
SEAT TYPE: Fully seated
PRICE:
$30 - $49

An Evening with Matty in the Morning

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Thu May 16th - 7:30PM
The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Thu Jun 13th - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$52 - $102

Barstool Sports Presents: Francis Ellis LIVE! A comedy special taping for Barstool Gold

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri May 17th - 7:00PM
The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri May 17th - 9:45PM
SEAT TYPE: Fully seated
PRICE:
$30

Whine Down with Jana Kramer and Mike Caussin

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat May 18th - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$32 - $77

Gordon Lightfoot

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sun May 19th - 8:00PM
SEAT TYPE: Fully seated
PRICE:
$50 - $75

Scott Pelley – Truth Worth Telling Book Tour

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Mon May 20th - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$48

Sinbad

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri May 24th - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$39

Jenny Slate

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat May 25th - 7:00PM
SEAT TYPE: Fully seated
PRICE:
$34 - $49

Nathan Carter: Celtic Country

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Tue May 28th - 8:00PM
SEAT TYPE: Fully seated
PRICE:
$25 - $55

The Docksiders

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Wed May 29th - 8:00PM
SEAT TYPE: Fully seated
PRICE:
$25

The Joe Budden Podcast: With Rory, Mal And Parks

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri May 31st - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$41.50 - $159.50

Lea DeLaria

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Jun 7th - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$27 - $47

The Fab Faux performs White Album ‘selections’ and Beatles ’65 in its entirety

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Jun 15th - 8:00 PM
SEAT TYPE: Fully seated
PRICE:
$35 - $95

Tiffany Jenkins

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Thu Jun 20th - 8:00PM
SEAT TYPE: Fully seated
PRICE:
$37 - $87

Whose Live Anyway?

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Jun 21st - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$52

Jeff Goldblum & the Mildred Snitzer Orchestra

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Thu Jun 27th - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$65 - $115

Crime Junkie Podcast Live

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Jun 29th - 7:00PM
SEAT TYPE: Fully seated
PRICE:
$37 - $102

RESCHEDULED TO 7/13 – Rob Schneider

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Jul 13th - 7:00PM
SEAT TYPE: Fully seated
PRICE:
$32

Katya: Help Me I’m Dying Comedy Tour

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Thu Jul 18th - 8:00PM
The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Jul 19th - 8:00PM
SEAT TYPE: Fully seated
PRICE:
$25 - $150

Randy Rainbow

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Thu Jul 25th - 7:30PM
The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sun Jul 28th - 7:00PM
SEAT TYPE: Fully seated
PRICE:
$49 - $101

Bill Burr: Laughing With Your Buddies for the Travis Roy Foundation

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Thu Aug 1st - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$79 - $250

Scott Stapp of Creed

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Aug 2nd - 8:00PM
SEAT TYPE: Fully seated
PRICE:
$35 - $45

UB40

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Aug 9th - 8:00PM
SEAT TYPE: Partly seated
PRICE:
$35 - $127

85 South Show feat. DC Young Fly, Karlous Miller & Chico Bean

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Aug 10th - 7:00PM
SEAT TYPE: Fully seated
PRICE:
$32 - $102

Janis Ian & Livingston Taylor

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Aug 17th - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$40 - $69

Hot Tuna Electric plus special guest Dave Mason

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Wed Aug 21st - 08:00 PM
SEAT TYPE: Fully seated
PRICE:
$45 - $75

Matt Bellassai

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Aug 24th - 8:00PM
SEAT TYPE: Fully seated
PRICE:
$32 - $72

Lil Duval: Living My Best Life Tour

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Sep 6th - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$39 - $69

Jen Kirkman

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Sep 13th - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$26 - $33

The Second City Greatest Hits (Vol. 59)

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sun Sep 15th - 7:00PM
SEAT TYPE: Fully seated
PRICE:
$25

Kevin James

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Sep 20th - 7:30PM
The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Sep 20th - 9:45PM
SEAT TYPE: Fully seated
PRICE:
$45 - $75

Dave Attell

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Sep 21st - 7:00PM
The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Sep 21st - 9:45PM
SEAT TYPE: Fully seated
PRICE:
$37

STEVE HACKETT: GENESIS REVISITED ‘SELLING ENGLAND BY THE POUND’ (in its entirety) PLUS SPECTRAL MORNINGS Anniversary Celebration

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Tue Sep 24th - 8:00PM
SEAT TYPE: Fully seated
PRICE:
$50 - $75

Jim Gaffigan: Quality Time Tour

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Wed Sep 25th - 7:30PM
The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Thu Sep 26th - 7:30PM
The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Sep 27th - 7:30PM
The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Sep 27th - 10:00 PM
The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Sep 28th - 7:00PM
The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Sep 28th - 9:45PM
SEAT TYPE: Fully seated
PRICE:
$59 - $79

Bob Marley Comedian

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Fri Oct 4th - 7:30PM
SEAT TYPE: Fully seated
PRICE:
$36.50

Big Thief

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sun Oct 13th - 8:00PM
SEAT TYPE: Partly seated
PRICE:
$28 - $38

Ryan Hamilton

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Oct 19th - 7:00PM
SEAT TYPE: Fully seated
PRICE:
$25

Jónsi & Alex Somers – Riceboy Sleeps w/ Wordless Orchestra

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Wed Oct 30th - 8:00PM
SEAT TYPE: Fully seated
PRICE:
$71.50 - $111.50

SiriusXM Coffeehouse Tour featuring Joshua Radin & The Weepies

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sun Nov 3rd - 7:00PM
SEAT TYPE: Fully seated
PRICE:
$37 - $59

Mary Chapin Carpenter & Shawn Colvin: Together On Stage

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Wed Nov 6th - 8:00PM
SEAT TYPE: Fully seated
PRICE:
$60 - $175

Nicole Byer

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Nov 9th - 7:00PM
SEAT TYPE: Fully seated
PRICE:
$20 - $50

Andrew Schulz

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Nov 16th - 7:00PM
SEAT TYPE: Fully seated
PRICE:
$30

Lore Podcast Live

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Wed Nov 20th - 7:00PM
SEAT TYPE: Fully seated
PRICE:
$40 - $50

Maria Bamford

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Sat Nov 23rd - 7:00PM
SEAT TYPE: Fully seated
PRICE:
$29 - $39

Sal Vulcano

The Wilbur Theatre Located at
246 Tremont St, Boston, MA.
Phone: 617-248-9700
Thu Dec 12th - 7:00PM
SEAT TYPE: Fully seated
PRICE:
$45

Bio

Big Head Todd and the Monsters New World Arisin’photo credit: Jason SiegelBig Head Todd and the Monsters are not that big on anniversaries,

Big Head Todd and the Monsters New World Arisin’photo credit: Jason SiegelBig Head Todd and the Monsters are not that big on anniversaries, so there won’t be any big hoopla over the fact that the band is officially crossing the three-decade mark this year. Thirty years would seem like something to commemorate, especially with the same core lineup, an achievement few other name-brand bands can boast of. Yet right now they’re less about celebrating stability than volatility, in the form of their eleventh studio album, New World Arisin’, which makes good on its forward-facing title with what might be the brashest rock and roll of their career. The old world can’t rest on any laurels, and neither will they.

“We’re in a real exciting part of our career right now,” says co-founder Todd Park Mohr.  “We’re a viable band with a great audience and we’re able to work at a very high level. It’s a career that’s getting more and more interesting, rather than less, which is remarkable,” he says, chuckling at the unlikelihood of anyone being this cheerfully all-in, this far in. “I mean, 30 years into it, I really feel like: Wow, this is getting fun. I’m learning more about music and about my instrument, and it’s just really engaging in every way. We also dovetail well with the times, I think; I feel like we have something to say

.”That desire to communicate and connect is very much reflected in a new album that explores a variety of subgenres, from the funky (“Trip”) to the unexpectedly punky (“Detonator”), with stops along the way for raging country-rock (“Damaged One”), expansive storytelling in the Van Morrison/early Springsteen mode (“Wipeout Turn”), a Jimi Hendrix cover (“Room Full of Mirrors”), and, in the title track, “New World Arisin’,”a Charley Patton-inspired tune that ended up having what Mohr describes as “a heavy metal/gospel feel.”

He doesn’t feel these musical zigzags will give fans musical whiplash. “The fact is, most people, like myself, listen to multiple genres of music, so I don’t think people have a problem with variety. I love it.”

But if there’s a dominant musical motif to New World Arisin’, it’s “straight-up rock-pop,” says Mohr. That contemporary approach might come as a slight surprise to hardcore fans that saw the Monsters take a seriously rootsy turn or two in the last 10 years. The band embarked on a side project, dubbed Big Head Blues Club, that saw them paying homage to Robert Johnson and bringing in venerable guest collaborators like Charlie Musselwhite and the late B.B. King. The heavy blues influence that dominated their alter-ego band carried over some into the last actual Big Head Todd and the Monsters album, 2014’s Black Beehive. That element isn’t altogether missing in New World Arisin’; you’ll certainly hear it recur in “Long Coal Train.” But this time the blues take a definite back seat to the unapologetically mainstream instincts that had Big Head Todd going platinum in the mid-’90s with the album Sister Sweetly, which spawned the rock radio hits “Broken Hearted Savior,”“Bittersweet,”and “Circle.”

“Commercial success is still a goal for me and for our band,” Mohr says, “as far as the sense of communicating to, or striking a chord with a large number of people. We feel like we have something to say and something to offer the culture.” Plus, a true confession: “I’m interested in the pop song! And I think ‘Damaged One,’ for one, is a classic pop song. Our label would have killed for that song, back then,”in the wake of those mainstream radio hits that established the band. “They begged me to write it! So there’s a lot of irony in our coming back to that.

”The history of the group actually stretches farther back from the 1987 point at which they took their name. The core members came together at such an early age that it’s hard to know exactly how many candles to put on their collective cake. “It’s murky,” Mohr says, “because I’ve been playing with Brian (Nevin, their drummer) since junior high school, so the two of us go back to 1982. Brian and I played a talent show with Rob (Squires, the bass player) in 1983, and then we continued to plug at it, at a kids’ pace,”he laughs. They began playing original music in earnest in a nascent Colorado music scene that then consisted almost entirely of cover bands. A debut album,Another Mayberry, arrived in 1989, though it would be another four years before Sister Sweetly made them a national phenomenon. The only personnel change in these three decades has been the addition of a fourth member, putative “new guy”Jeremy Lawton, in 2004.

 

While they enjoy a robust fan base around the country, their success is outsized in Colorado, where they’re practically the unofficial state band. That’s evident in their ability to sell out Red Rocks, the most revered amphitheater in the nation, where they’ve headlined 19 times. It also comes into play when the band gets asked to be a part of commemorative moments: Mohr recently sang the national anthem at a Rockies game, and the entire band took part in the parade through Denver after the Broncos took the Super Bowl.

Their honors extend beyond their home state and even home country… into space. In 2005, they released the single “Blue Sky,” a tribute to the space program, written at the behest of crew members taking to the heavens aboard the space shuttle Discovery; it was performed years later as a live wake-up call to the astronauts on the shuttle. The song had enough appeal back on earth, too, that it was picked up by the Hillary Clinton campaign in 2008 and used to introduce her keynote speech to the Democratic convention.

That campaign usage didn’t come about as a result of any desire on Mohr’s part to take the band in a political direction. He’s not so interested in getting Big Head Todd and the Monsters caught up in that particular fray as looking at the smaller and bigger pictures, wanting to keep the material topical in some far deeper fashion. “Our audience is America, and I’m guessing it breaks down to the same percentages the country itself has,” he says. “We’ve never gotten in the business of polarizing people politically. But at the same time, as artists, it’s our job to observe and to hopefully find some insight. I’ve always been interested in the human condition more than politics. Politics are a part of it, but I always look at conflict as personal before it’s political. And I would consider conflict my dominant lyrical theme now— how people are trapped in it,

and how conflict relates to intimacy and pleasure.” A Big Head Todd show, in any case, is a place where those conflicts might resolve, or dissolve. “In talking about our apolitical-ness, I think unity is an important thing,” Mohr says. “Being a human being, you have a lot in common with other human beings, and why not maximize those things? Music has an incredible capacity to convey other cultures and times, and to create a lot of empathy and togetherness. There’s harmony in it, and it implies oneness — the root.

”There’s an economy to the songs on the new album, most of which clock in around four minutes, and sometimes even closer to three. You’d think this would make Big Head Todd and the Monsters the farthest thing from a jam band. Yet they have a fervent following among that subset of rock fans, lack of noodling notwithstanding. Maybe it’s because of the changing nature of their set lists, since the Monsters are known to take requests, both in person and online. 

“Our focus has always been on serving the song,” Mohr says. “We haven’t historically been that jammy. Which isn’t to say that we don’t have an occasional six-minute number — we do. But having said that, I have a great respect for that audience, which I think is just a music-loving audience. You know, one year I got invited to the Jammies at Carnegie Hall, and I got in a discussion with somebody: ‘Well, how do you define a jam band?’ And he told me, ‘A jam band doesn’t repeat a song for three shows in a row.’ That was the only way that he would define it. I could almost follow that rule, except there are probably four songs I have to play every night. So I guess those four songs are what’s keeping us from ever being a jam band,” he laughs.

What’s clear is that Big Head Todd is one multi-headed rock monster, easily traversing the most accessible hooks and the heaviest grooves. It’s not surprising that they would appeal to any audience or sub-audience that values durability over flavors of the moment. But Mohr has to laugh when he thinks about how little the possibility of long-term perseverance was on the members’ minds 30 years ago. 

“When you form, I think your goal is to make it through the party on Saturday night,” he points out. “In art, longevity isn’t the goal. It’s a happy accident if it happens, and I think ours was one of those convenient accidents that led to a happy marriage. But we happen to get along really well and love being with each other and playing music for a living.” Simple as it may sound, that’s a profound recipe for endurance in both the old world and the new

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  • bhtm

    RT @RickBober: Big Head Todd Tonight woot woot

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