Al Di Meola
Fantasia (recorded at the Mawazine Festival in Rabat, Morocco and featuring special guests Said Chraibi on oud, Abdellah Meri on violin and Tari Ben Ali on percussion).
Growing up in Bergenfield, NJ with the music of Elvis Presley, The Ventures and The Beatles, Di Meola naturally gravitated to guitar as a youngster and by his early teens was already an accomplished player. Attaining such impressive skills at such a young age didn’t come easy for Al, but rather was the result of focused dedication and intensive periods of woodshedding between his junior and senior years in high school. “I used to practice the guitar eight to ten hours a day,” he told Down Beat. “And I was trying to find myself, or find the kind of music that suited where I was going with the guitar.”
His earliest role models in jazz included guitarists Tal Farlow and Kenny Burrell. But when he discovered Larry Coryell, whom Al would later dub “The Godfather of Fusion,” he was taken with the guitarist’s unprecedented blending of jazz, blues and rock into one seamless vocabulary on the instrument. “I used to ride the bus from New Jersey to see him at little clubs in Greenwich Village,” he recalls. “Wherever he was playing, I’d be there.” In 1972, Al enrolled at the Berklee College of Music in Boston and by the second semester there began playing in a fusion quartet led by keyboardist Barry Miles. When a gig tape of that band was later passed on to Chick Corea by a friend of Al’s in 1974, the 19-year-old guitarist was tapped to join Corea’s fusion supergroup Return to Forever as a replacement for guitarist Bill Connors.
After three landmark recordings with Return to Forever — 1974’s Where Have I Known You Before, 1975’s Grammy Award winning No Mystery and 1976’s Romantic Warrior — the group disbanded and Al subsequently started up his career as a solo artist. His 1976 debut as a leader, Land of the Midnight Sun, was a blazing showcase of his signature chops and Latin- tinged compositions that featured a stellar cast including drummers Steve Gadd and Lenny White, bassist Anthony Jackson and Jaco Pastorius, keyboardists Jan Hammer, Barry Miles and Chick Corea and percussionist Mingo Lewis. Over the course of six more albums with Columbia
Records – Elegant Gypsy, Casino, Splendido Hotel, Electric Rendezvous, Tour De Force and Scenario – Al established himself as an influential force in contemporary music.
1980 marked the triumph of the acoustic guitar trio with Paco De Lucia and John McLaughlin. Their debut recording on Columbia Records, Friday Night in San Francisco, became a landmark recording that surpassed the four million mark in sales. The following year, 1981, Di Meola was inducted into Guitar Player’s Gallery of Greats after five consecutive wins as Best Jazz Guitarist in the magazine’s Readers Poll and winning best album and acoustic guitarist for a total of a record eleven wins. The three virtuosos in the trio toured together from 1980 through 1983, releasing the studio album Passion, Grace & Fire in 1982. In 1995, they reunited for a third recording, Guitar Trio, follow by another triumphant world tour.
In early 1996, Di Meola formed a new trio with the violinist Jean-Luc Ponty and RTF bandmate Stanley Clarke called The Rite of Strings. Their self-titled debut was released in 1995. Di Meola subsequently recorded with the likes of opera superstar Luciano Pavarotti, pop stars Paul Simon, classical guitarist Manuel Barrueco, and Italian pop star Pino Daniele. Over the course of his career, he has also worked and recorded with Phil Collins, Carlos Santana, Steve Winwood, Wayne Shorter, Tony Williams, Herbie Hancock, Gonzalo Rubalcaba, Milton Naciemento, Egberto Gismonti, Stevie Wonder, Les Paul, Jimmy Page, Steve Vai, Frank Zappa and Cuban pianist Gonzalo Rubalcaba.
Di Meola’s 2013 release All Your Life was an acoustic tour de force that had him revisiting the music of a seminal influence – The Beatles. “I really credit the Beatles for the reason why I play guitar,” he says. “That was a major catalyst for me to want to learn music, so their impact was pretty strong.” A virtual one-man show of virtuosity, it features the guitar great interpreting 14 familiar Beatles tunes in the stripped-down setting of strictly acoustic guitar.
While currently juggling acoustic tours in Europe and electric tours in the United States, Di Meola arrives at the perfect marriage of the two aesthetics on his latest album, 2015’s Elysium, which finds the guitar great blending the lush tones of his nylon string Conde Hermanos acoustic prototype model and a ’71 Les Paul electric (his Return to Forever and Elegant Gypsy axe) in a collection of songs that are at once invigorating and alluring. “It represents a new composition phase for me, whereby the writing became, in a sense, my therapy during a challenging personal transition in my life,” he said.
Di Meola is currently on tour in Europe and North America. In 2015, he was honored as the 22nd recipient of the Montreal Jazz Festival’s Miles Davis Award, created in 1994 to honor a great international jazz musician for the entire body of his or her work and for that musician’s influence in regenerating the jazz idiom.
During a 40-plus year career marked by hugely influential recordings and worldwide tours, Di Meola has regenerated the jazz idiom three times over while dedicating himself to his art. And at age 63, this guitar hero seems inspired to begin a new chapter in his career with the release of OPUS (EAR Music) in February 2017.